面纱是挡在面前的，

让自己去寻找对方没有的品质，

或许电影里只有修女才知道那些爱的真相，

当爱和责任在一起，便得恩典，

爱从不同的路过来命运只有一颗心，

你比我更永恒。 

曾有一夜，

因为临时的停电，

那里变成无法到达的地方，

点起蜡烛，静坐，然后拍下。

想起源孝志的电影《大停电之夜》，

人们的内心在如此黑暗的夜晚有些改变，

是变的脆弱或者其实是变的勇敢，

他们在那里打开自己，说真正想说的话。

想着，

即使在明亮的夜晚，关上灯，

进入黑暗，彼此想念。

有多少时候没有听到过这样的声音了.

觉得很有趣,皮衣一身的废墟乐队,做出来的音乐是这个样子的.

迷幻,唯美的气质,真的是很少在国内的乐队里听到.

喜欢这歌,留在MP3里,慢慢听好了.

<<像叶子一样飞>>

我骑着我骑着
我骑着时光
落在你落在你
落在你的肩上
像片叶子一样飞呀

我穿越我穿越
我穿越冰山
坐在你坐在你
坐在你的云端
你像沙发一样温暖

我飞呀我飞呀
我点燃自己飞呀
我陷呀我陷呀
我躺在音乐里下陷

我与你相遇
你把我擦去

我与你相遇
你把我埋去
我与你相遇
你把我埋
我骑着时光
落在你肩上
像片叶子一样飞呀飞呀

很久没有尖叫了.上个礼拜的周末去了新校区.

因为有麦田守望者在那里做演唱会.

是去采访他们了,和萧玮聊了很久他们的音乐,重新又有了想做广播的冲动.

拿到他们的签名CD,晚上听他们的演唱会.

最重要的是,在他们唱<<SUPER STAR>><<钱>>的时候跟着一起尖叫.

在电子杂志<<MOY>>中的一期中听到的音乐,后来在豆瓣这个杂志的论坛上.

看到这首歌的歌词.

      Where we packed up for a new place
　　A college town with a musical sound
　　And everyone had a new face
　　There was something there
　　Maybe it was the trees
　　Or the flowery air
　　Or that everyone seemed so glad
　　They were there
　　And we were two of those two
　　We were two of those two
　　
　　We got a house in between a homeless shelter
　　And a coffee shop
　　We painted the walls until we couldn't reach
　　I said, "It looks cool this way, let's stop."
　　
　　There were always people there
　　Maybe it was the music
　　We played on the record player
　　Or that everyone seemed so glad
　　They were there
　　And we were two of those two
　　We were two of those two
　　
　　And those were the times
　　The quietest days
　　We'll sit and smile and remember
　　Nothing could feel the same
　　We were so free
　　We were in each passing second
　　
　　And you can't sustain
　　Anything, everything must change
　　So be thankful for everything
　　And I am
　　I am
　　I am
　　

昨天心血来潮，看了点＜＜hero>>

木村的老片子了，突然开始想他．

这个人的笑容，说话的方式，电视里的小习惯．

和以前的一些东西联系在一起．

以为忘记了，可是记得那么清楚．

楼下的两只狗，都是很温顺的小动物．

是每天都要见面打招呼的．

写这个的时间,是早上7点多的时候.now day is starting

不知道为什么,最近睡的很奇怪,要不就失眠,要不就很早就醒了.

看到这个专集,听的这样的音乐.

摇蓝曲，

有人说听它的时候是要在：

需要把自己包裹起来的时候。

需要什么都闭口不谈的时候。

需要盖紧被子谁都不理的时候。

 　   Now the day is over
　　Night is drawing nigh
　　Shadows of the evening
　　Steal across the sky
　　
　　Give to little children
　　Visions sweet of thee
　　Guard the sailors tossing
　　On the deep blue sea
　　
　　When the morning wakens
　　Then may i arise
　　Fresh and pure and sinless
　　In thy holy eyes

期待老杜的<<放逐>>

在网上看到下面的这些字,是老外写的对电影的感想

Stylistically this movie is perfect. But what a strange style ?!a kind of Hong Kong action Western?? Again, Johnnie To shows his craft in building up and letting go of tension like the back of his hand. Supported by almost the same cast as "The Mission", with a story line that is secondary to the display of choreography. Yet there are successful use of little devices (like photography, coin, a baby charm ..et)to seeds sentiment and replace dialogue. There is obvious and not so obvious comic relief from various characters and maybe some foreshadowing/symbolism  from 2 minor women characters.

The are a few action set pieces, the distinct ones being near the beginning in an atrium, another soon to follow in the back stairwells of a apartment complex. The sound is amazing. The score is kind of American Western like, and so is the tough gangster kind of sentiments that can usually be found in of Hong Kong action films.

老杜的电影为什么在威尼斯连个毛都没摸到,看看这样的国外评论,就知道了

老外是永远不可能了解香港的江湖片.

在<<放逐>>预告片里,再次看见几个男人对峙中冷静开枪的经典场面.

让人想起<<枪火>>.